{"id":987,"date":"2019-07-17T11:07:57","date_gmt":"2019-07-17T09:07:57","guid":{"rendered":"https:\/\/www.sutermeister.ch\/a-propos\/"},"modified":"2023-09-26T15:55:13","modified_gmt":"2023-09-26T13:55:13","slug":"about","status":"publish","type":"page","link":"https:\/\/www.sutermeister.ch\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;accordion&#8221;][vc_accordion_tab title=&#8221;My professional background&#8221; title_tag=&#8221;h2&#8243;][vc_column_text]I have been working for more than 20 years in the field of cultural policy and cultural management, both in the operational field (management and other management functions) as well as in research, publishing my ideas and give courses in various colleges and universities.and universities.<\/p>\n<p>I approach the new challenges of the cultural and artistic environment from a global point of view, by considering the<br \/>\ninteractions with other sectors or disciplines, in order to propose sustainable and coherent solutions.<\/p>\n<p>I have been interested for several years in the opportunities new business models for culture: in fact, it is interesting to note that cultural interesting that cultural structures are organized in a relatively traditional with classical hierarchies and business models. However, both new governance models (holocracy, sociocracy, liberated enterprises etc.) as well as other economic models, such as those originating from the solidarity and circular economy, can unfold new potentials.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>Dr. phil. in theatre studies, DAS in cultural management and MBA in economics and management.<\/li>\n<li>Lecturer in Cultural Policy (<a href=\"https:\/\/www.formation-continue-unil-epfl.ch\/formation\/gestion-culturelle-das\/\">Cultural Management in Lausanne \/ Geneva<\/a> and Cultural Management <a href=\"https:\/\/kulturmanagement.philhist.unibas.ch\/de\/studienangebot\/cas-innovation-und-change\/\">CAS in Change Management and Innovation<\/a> &#8211; University of Basel, DAS in <a href=\"https:\/\/www.eesp.ch\/fileadmin\/user_upload\/formation_continue\/descriptifs_cas\/Descriptif_CAS_DAS_MC_2020.pdf\">Cultural Education, EESP-HES<\/a> Lausanne)<\/li>\n<li>Various activities and positions in the field of cultural policy (Commission vaudoise pour le th\u00e9\u00e2tre ind\u00e9pendant, Office for Culture of the Canton of Berne, <a href=\"https:\/\/prohelvetia.ch\/en\/\">Board of Trustees of Pro Helvetia<\/a>,<a href=\"https:\/\/sapa.swiss\/uber-uns\/\"> Board of Trustees SAPA &#8211; Swiss Archive of Performing Arts<\/a>, etc.) and research (Manufacture-Lausanne; HEAD-Geneva)<\/li>\n<li>Different leading positions in cultural policy\u00a0 : Head of cultural Policy (State of Valais &#8211; Switzerland, Head of french part of State of Bern &#8211; Switzerland) and cultural organisations (<a href=\"http:\/\/www.theatredujorat.ch\">Director of Theatre du Jorat<\/a>)<\/li>\n<li>Several mandates for the evaluation and development of cultural policy in French-speaking Switzerland<br \/>\nYou can find the complete curriculum vitae below.<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;My research interests&#8221;][vc_column_text]<strong>Two issues are at the heart of my current research: future business models and digitization. <\/strong><\/p>\n<p>As public subsidies stagnate or worse decline, cultural sector actors face new challenges. A global analysis of the current business model makes it possible to strengthen the multiple facets of an organization and offer development opportunities. In addition, the range of innovative business models (open model, diversification, cross selling, UX, reorientation, long tail, etc.) can help to inspire and strengthen the cultural sector in a sustainable way without sacrificing the notion of public service.<\/p>\n<p>As for digitalization, it affects culture in the broadest sense: from artistic production to distribution, including e-commerce, cultural mediation, communication, responsive marketing, community and public development, all sectors are or will be concerned.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Curriculum vitae&#8221;][vc_column_text]<a href=\"https:\/\/www.sutermeister.ch\/site\/wp-content\/uploads\/2019\/11\/CV-E-Sutermeister-December_2019.pdf\">Download my CV<\/a>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]Anne-Catherine Sutermeister studied French literature and theatre studies at the Universities of Vienna and Montpellier. She completed her PhD at the Department for Theatre Studies at Bern University (Sous les pav\u00e9s, la sc\u00e8ne. L\u2019\u00e9mergence du th\u00e9\u00e2tre ind\u00e9pendant en Suisse romande dans les ann\u00e9es 60, Editions d\u2019en-bas, Lausanne, 2000)\u00a0and graduated with a MBA at Geneva University (2015). In 2009, she became the director of the \u201cTh\u00e9\u00e2tre de Jorat\u201d of M\u00e9zi\u00e8res, became member of the board of Swiss Arts Council &#8211; Pro Helvetia and took over since 2010 the Department of research at La Manufacture \u2013 Haute \u00e9cole de th\u00e9\u00e2tre de Suisse romande. From 2012 until 2019, she is Head of R&amp;D at HEAD \u2013 Geneva University of Art and Design. She published various articles on contemporary swiss theater and cultural policies (Dictionnaire du th\u00e9\u00e2tre en Suisse, Dictionnaire de l\u2019art suisse \u2013 www.sikart.ch, Revue Europe, Revue Mouvement, etc.)<\/p>\n<p><strong>She has<\/strong> is curated an exhibition at <a href=\"https:\/\/fondationbodmer.ch\/product\/masques-et-theatre-creations-de-werner-strub-et-editions-rares-de-la-fondation-martin-bodmer\/\">Fondation Martin Bodmer in Cologny<\/a> on Theatre and Masks &#8211; the wonderful masks of Werner Strub, has been member of the board of the Swiss Archive of Performing Arts (<a href=\"http:\/\/www.sapa.ch\/\">www.sapa.ch<\/a>).<\/p>\n<p>She works now as a consultant :<\/p>\n<p>&#8211; teaching cultural policies and innovative business models in the art sector;<\/p>\n<p>&#8211; accomplishing\u00a0 several mandates for public and private entities in the field of arts management and culture in general.[\/vc_column_text][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;accordion&#8221;][vc_accordion_tab title=&#8221;My professional background&#8221; title_tag=&#8221;h2&#8243;][vc_column_text]I have been working for more than 20 years in the field of cultural policy and cultural management, both in the operational field (management and other management functions) as well as in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-987","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/pages\/987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/comments?post=987"}],"version-history":[{"count":32,"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/pages\/987\/revisions"}],"predecessor-version":[{"id":2429,"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/pages\/987\/revisions\/2429"}],"wp:attachment":[{"href":"https:\/\/www.sutermeister.ch\/en\/wp-json\/wp\/v2\/media?parent=987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}